Top of the Nazi pops: towards a racially pure top ten
January 1, 2009
“We are on the verge of moving into the music business in a big way – something with enormous cultural, political and financial potential.”
BNP Chairman Mr. Nick Griffin 2005
What would British music sound like if it was free of racial ‘impurities’ and foreign influence, what would the undefiled, ‘indigenous’ British top ten sound like? The obvious answer would be that it wouldn’t sound like anything because music has been for millenia a fertile mix of multiple cultural influences echoing the mixed racial and cultural profile of the people who make it. Despite this, white supremacists seem intent on defining ‘M.O.W.I.’ – Music of White Origin – as the genre of choice of the true white indigenous British race.
