Musical roads of the world.

Steen Krarup Jensen and Jakob Freud-Magnus building the Asphaltophone

back in the seventies novelty cereal packet gifts reached a zenith of inventiveness and surreality.My particular favourite was a sound player ‘toy’ – basically a strip of red plastic, shaped like a cable tie, with audio samples encoded into grooves in the strip. The idea was to fit one end to a hole in the empty cereal packet and run your fingernail along the strip at a constant speed. the cereal box acted as an sound box, amplifying the vibrations delighting the astonished breakfast audience with audio clips from history, if my memory serves me correctly, Chamberlain’s “…and here is the paper” and Churchill’s ” some chicken, some neck” amongst others.

how to be invisible

I’ve always been of the opinion that people over concerned with surveillance and data security are displaying the first stages of clinical paranoia. It’s well known, for those that care to look, that the UK police and military have in their possession technology which enables them to track individuals movements visually and electronically (think of google maps ++), trace your behaviour (spending, travelling, health, political persuasion), listen in to conversations and so-on – our only real defence against this intrusion has been the plod/MOD’s incompetence at cross referencing and interpreting the mass of data they’ve so carefully collated.

Britain is one of the world’s most surveyed society; It is estimated (2002 figures) that the United Kingdom is watched by over 4.2 million CCTV cameras. This equates to one camera for every fourteen people; each UK subject is recorded on average by up to three hundred cameras a day. Surveillance has become part of our lives; we’ve become used to accepting surveillance as a shield against crime and terrorism, sacrificing our privacy for the apparent greater good. However a recent trend is the movement of commercial organisation into the field of surveillance and “dataveillance” – using similar unregulated techniques and technologies global corporations are starting to watch you. Is it time to get paranoid?

Top of the Nazi pops: towards a racially pure top ten

“We are on the verge of moving into the music business in a big way – something with enormous cultural, political and financial potential.”

BNP Chairman Mr. Nick Griffin 2005

What would British music sound like if it was free of racial ‘impurities’ and  foreign influence, what would the undefiled, ‘indigenous’ British top ten sound like? The obvious answer would be that it wouldn’t sound like anything because music has been for millenia a fertile mix of multiple cultural influences echoing the mixed racial and cultural profile of the people who make it. Despite this, white supremacists seem intent on defining ‘M.O.W.I.’ – Music of White Origin –  as the genre of choice of the true white indigenous British race.